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To College, or Not to College? Schools like SCAD Cater to the Comickers

Anime Punk Joey's picture
Anime Punk Joey - Sunday, March 26, 2006 - 00:30

We all know what artists looks like: the quaintly bohemian, shaggy-haired hobo sitting on a foldable chair on the corner of two busy streets playing his violin like there's no tomorrow in hopes of a few bucks for booze in the evening; or the black-clad beatnik toting around a bag full of paints, a pocket full of weed, a head full of dreams, and a stomach full of air.

At least, that's what our parents seem to think.

If your family is at all typical, they're frantically searching through the reservoirs of admonitions they have collected in their times right now, searching for the right way to convince you that there's no future in art. Artists starve. Go get your college degree, cut your hair, and get a real job. In some ways they are right. A degree will give anyone a competitive edge in today's job market; but what if you just want to make comics for a living?

Well, there's a degree program for that too. It's called sequential art, and you can find it at, amongst a few other schools, the Savannah College of Art and Design (SCAD) in Savannah and Atlanta, Georgia. The discipline of sequential art encompasses graphic novels, comic books, comic strips, children's books, and storyboards for animation and film.

Students explore computer applications for sequential art such as coloring and cover design, as well as professional opportunities in freelancing and self-publishing. SCAD is one of few institutions that offers both undergraduate and graduate degrees in this specialized field. The program stresses writing as well as drawing, encouraging the artist to perfect the process of combining words and pictures to form an entertaining and effective narrative.

At the undergraduate level, sequential art majors learn the essential components of the discipline, including scriptwriting, penciling, inking and computer coloring. As students proceed through the program, they are encouraged to build on work they have completed in previous classes. For example, a student might create a script in a writing class, then pencil and ink the story in a studio class. To keep pace with an increasingly computer-oriented industry, students receive instruction in digital sequential art applications.

At the graduate level, sequential art majors sharpen their skills to develop a distinctive, original style. Graduate students create a substantial body of work for their portfolios in order to prepare for a career in the industry. M.F.A. students complete internships in teaching or in the sequential art field.

The department offers a wide range of electives, including courses about Manga and superhero comics, advanced writing for comics, painting for comics, cover illustration for comics, comic strips, storyboarding and sequential picture books for children.

Well-known industry professionals regularly visit the college to teach classes or deliver lectures. Guest artists also conduct workshops and portfolio reviews. Artists, writers and editors are invited to visit and present to students. Guests have included Art Spiegelman, Maurice Sendak, Jules Feiffer, Mark Chiarello, Scott Hampton, Jack Davis, Mark Schultz, Brian Stelfreeze, Randy Stradley, George Pratt, Howard Chaykin, Lea Hernandez, Will Eisner, Scott McCloud, Axel Alonso, Rick Leonardi and Bernie Wrightson, among others. The Sequential Art Association is a student organization that meets regularly to discuss current trends and helps publish an anthology of student work.

Each year, the sequential art department hosts a Comics Art Forum, one of the few major academic acknowledgements of comic art and sequential art storytelling in the nation. The event features workshops, portfolio reviews and guest artists culled from a broad spectrum of the sequential art field.
_________________________________________________________________________________
Careers in Sequential Art:

*children's book illustrator
*syndicated comic artist
*storyboarder for television or film
*cartoonist
*self-publisher
*video game designer
*writer
*penciler
*inker
*colorist
*production artist
_________________________________________________________________________________

Comics major + networking oppurtunities + internships = pretty sweet deal, minus the weed addiction and the stomach cramping of yore.

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"The right to vote or equal civil rights may be good demands, but true emancipation begins neither at the polls nor in the courts. It begins in [the] soul." -Emma Goldman

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Rachel the Great's picture

But Savannah is a

Rachel the Great; Sunday, March 26, 2006 - 01:54

But Savannah is a particulary pricey college, especially for those of us non-Georgia residents. I looked into it. It's way out of my league!

****
I live under a bridge.

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Anime Punk Joey's picture

College is particularly

Anime Punk Joey; Sunday, March 26, 2006 - 04:48

College is particularly pricey in general, especially for us with ridiculously low incomes. Savannah does offer scholarships to incoming applicants, and there are several loans, grants, and scholarships one can acquire through some research. In the end it all really depends on how much you really want to go to a particular school and how hard you're willing to work to get there.

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"The right to vote or equal civil rights may be good demands, but true emancipation begins neither at the polls nor in the courts. It begins in [the] soul." -Emma Goldman

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Rachel the Great's picture

And how much debt you're

Rachel the Great; Sunday, March 26, 2006 - 04:49

And how much debt you're willing to take on ;)

****
I live under a bridge.

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Anime Punk Joey's picture

Hey, good things don't come

Anime Punk Joey; Sunday, March 26, 2006 - 04:56

Hey, good things don't come easy. ;)

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"The right to vote or equal civil rights may be good demands, but true emancipation begins neither at the polls nor in the courts. It begins in [the] soul." -Emma Goldman

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Rachel the Great's picture

Hah, I have thirty year old

Rachel the Great; Sunday, March 26, 2006 - 05:24

Hah, I have thirty year old friends still working off their loans.

The nice thing about the comics industry is that you don't need a college degree. I asked specifically about this at Dragon Con. A degree is nice, but most people working in the biz don't have one or don't have one in an appropriate field. Having or not having one will not stop you from getting your comics published.

In the end, what draws the line between a comicker and a hobbyist is that comickers put in extra work. We work hard, whether or not we go to college. If you don't have the motivation, no amount of education will make you a good comicker. With all things in life, the spark comes from within. I would hate to see comicking become a "degree mandatory" field like graphic design.

Me? Well, I'd rather spend my time actually making comics than pulling two part-time jobs at a burger joint so I can pay to have a piece of paper that says, "Rachel can make comics." Doing is believing. If someone has the means to go to art school, by all means, they should go. But, I want to reassure readers that art school isn't a prerequisite for comicking, so don't feel bad if it doesn't work out :)

****
I live under a bridge.

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Anime Punk Joey's picture

Oh, definitely not a

Anime Punk Joey; Sunday, March 26, 2006 - 05:28

Oh, definitely not a prerequisite. However, there are people who would like to have the college experience but have a hard time finding schools that provide the type of training in which they're actually interested. This article was meant more for those types.

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"The right to vote or equal civil rights may be good demands, but true emancipation begins neither at the polls nor in the courts. It begins in [the] soul." -Emma Goldman

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LuLu's picture

depends on the art

LuLu; Sunday, March 26, 2006 - 06:13

my aunt is a painter... i love her and all but i know they only reason she has lived well off for the past 20 years is because my uncle, her boyfriend, is a commercial artist and makes a disgustingly large salary.... she has only recently started making her way when she got a dealer and started teaching as a proff at a UNI.

even in the beginning, before my uncle started making oodles of money, they lived a meger life.... in fact they lived in a really scary apartment for a while beneath of psychologically ill man who believed demons were trying to come through the furnace vents, stuffed them with newspaper, and almost started a fire..... my parents always tell me about how they would be visiting and this man would start raving like a lunatic and you could hear him pretty well......

but you know what... that is living life... it isn't so much starving or not, it's just plain doing something


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Rachel the Great's picture

Hey, maybe you could

Rachel the Great; Sunday, March 26, 2006 - 13:52

Hey, maybe you could interview your uncle sometime and post an article? Commercial art is often a side job of comicking.

****
I live under a bridge.

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College was for your parents.

David Doub; Wednesday, March 29, 2006 - 00:15

I'd really love to get into my rant about how traditional colleges are an anachronistic form of education that has outlived its usefulness, but I get into that some other time.

Rachel is right about in the comic industry all that really matters is if you can do the work and do it right. The only other 3 things that seem to help more in the comic industry is if you A: Have a good working relationship with Editors and Publishers B: Have practical experience C: Have a bankable or marketable name to draw readers in.

That said there is one thing that a College could help with and that is developing skills. But I wouldn’t go full bore and spend tens of thousands of dollars for a degree. A lot of colleges and community colleges have good programs where you can just take continuing education classes on art.

But why would one need to develop one’s skills? Not to be cruel but despite how many manga you’ve read or how many good ideas you’ve had, it typically not going to add up to much unless you have some skills and experience to really make it work. And that’s where classes come in. If you don’t have an idea of how to develop your artistic skill set, a class may help you get a better idea on what you need to focus on artistically. I could go on a rant about how technology, like computers and graphic software, while being great tools have made some young artists lazy because since they use the tools they don’t understand the underline reasons on why certain techniques and effects work in art.

So basically don’t let a College try to fit you into one of their programs, why not treat it more like a buffet and take courses and classes that benefit you the most.

As a disclaimer, I have no intention of going to college. I’ve found with writing that most books and classes that talk about writing only refer to how they write because there is no right way to write (just some are more commercially successful than others). And it’s the same with art. There’s no “right” way, because art is so damn subjective.


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Anime Punk Joey's picture

Well, I'm going to college

Anime Punk Joey; Wednesday, March 29, 2006 - 11:31

Well, I'm going to college to study animation. I don't intend on making comics for a living. In any case, the cheapest method of becoming a comic book artist is pure hardwork, perseverence, and connections; unfortunately, not everyone has the personality type to fit that category of work (no matter how admirable people who can do it solo may be). For example, some people can pick up a manual and teach themselves how to do just about anything while others will never make heads or tails of anything without visual instruction. This article is not meant to promote one style of learning over the other. It's merely here to expose the reader to a possible option.

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"The right to vote or equal civil rights may be good demands, but true emancipation begins neither at the polls nor in the courts. It begins in [the] soul." -Emma Goldman

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