We all know what artists looks like: the quaintly bohemian, shaggy-haired hobo sitting on a foldable chair on the corner of two busy streets playing his violin like there's no tomorrow in hopes of a few bucks for booze in the evening; or the black-clad beatnik toting around a bag full of paints, a pocket full of weed, a head full of dreams, and a stomach full of air.
At least, that's what our parents seem to think.
If your family is at all typical, they're frantically searching through the reservoirs of admonitions they have collected in their times right now, searching for the right way to convince you that there's no future in art. Artists starve. Go get your college degree, cut your hair, and get a real job. In some ways they are right. A degree will give anyone a competitive edge in today's job market; but what if you just want to make comics for a living?
Well, there's a degree program for that too. It's called sequential art, and you can find it at, amongst a few other schools, the Savannah College of Art and Design (SCAD) in Savannah and Atlanta, Georgia. The discipline of sequential art encompasses graphic novels, comic books, comic strips, children's books, and storyboards for animation and film.
Students explore computer applications for sequential art such as coloring and cover design, as well as professional opportunities in freelancing and self-publishing. SCAD is one of few institutions that offers both undergraduate and graduate degrees in this specialized field. The program stresses writing as well as drawing, encouraging the artist to perfect the process of combining words and pictures to form an entertaining and effective narrative.
At the undergraduate level, sequential art majors learn the essential components of the discipline, including scriptwriting, penciling, inking and computer coloring. As students proceed through the program, they are encouraged to build on work they have completed in previous classes. For example, a student might create a script in a writing class, then pencil and ink the story in a studio class. To keep pace with an increasingly computer-oriented industry, students receive instruction in digital sequential art applications.
At the graduate level, sequential art majors sharpen their skills to develop a distinctive, original style. Graduate students create a substantial body of work for their portfolios in order to prepare for a career in the industry. M.F.A. students complete internships in teaching or in the sequential art field.
The department offers a wide range of electives, including courses about Manga and superhero comics, advanced writing for comics, painting for comics, cover illustration for comics, comic strips, storyboarding and sequential picture books for children.
Well-known industry professionals regularly visit the college to teach classes or deliver lectures. Guest artists also conduct workshops and portfolio reviews. Artists, writers and editors are invited to visit and present to students. Guests have included Art Spiegelman, Maurice Sendak, Jules Feiffer, Mark Chiarello, Scott Hampton, Jack Davis, Mark Schultz, Brian Stelfreeze, Randy Stradley, George Pratt, Howard Chaykin, Lea Hernandez, Will Eisner, Scott McCloud, Axel Alonso, Rick Leonardi and Bernie Wrightson, among others. The Sequential Art Association is a student organization that meets regularly to discuss current trends and helps publish an anthology of student work.
Each year, the sequential art department hosts a Comics Art Forum, one of the few major academic acknowledgements of comic art and sequential art storytelling in the nation. The event features workshops, portfolio reviews and guest artists culled from a broad spectrum of the sequential art field.
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Careers in Sequential Art:
*children's book illustrator
*syndicated comic artist
*storyboarder for television or film
*cartoonist
*self-publisher
*video game designer
*writer
*penciler
*inker
*colorist
*production artist
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Comics major + networking oppurtunities + internships = pretty sweet deal, minus the weed addiction and the stomach cramping of yore.
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"The right to vote or equal civil rights may be good demands, but true emancipation begins neither at the polls nor in the courts. It begins in [the] soul." -Emma Goldman


